A pedalboard of effects for keys, guitar, bass and the mix: drives, amps and cabinets, compressors, modulation, delays and reverbs, each a card with the original's controls, in a chain you build. Meters, a scope and a spectrum show what each device does. A standalone app that plays your instrument live, and a VST3 plugin.
A console for playing live with a band: each strip takes an instrument or an input, plays it through its own BresleyFX pedalboard and sends it to an output, with two sends and a mix bus. A whole band's setup saves as one set, and BresleyHarmony can listen in and name the chords.
A band's console: five strips, two sends and the mix bus
Harmonic analyzer that listens to live audio, stored audio, and MIDI instruments, providing analysis and recommendations for voicings and chord progressions.
A chord named in its key, with the chords that might follow
A virtual analog polysynth of up to sixteen voices: two oscillators and a sample, two filters in series or parallel, envelopes and LFOs on a modulation matrix, and an arpeggiator with rhythms. Every control sits on one page, with the deeper settings a tab away. A VST3 plugin and a standalone app.
The synth on one page, its cards by what they shape
A monophonic analog-style synthesizer: three oscillators, a multimode filter into a low-pass with several classic ladder types, drive and feedback, and an audio input into both. Glide, accents and legato as on the old monosynths, an arpeggiator and a step sequencer with slide. A standalone app and a VST3.
The sound page: oscillators, mixers, both filters and the output
A drum machine of sixteen synthesized voices, from analog circuits to FM, wavefolding and modelled drums. Find a sound on a map of sounds, tune it on its pad's page, and play it from MIDI or the step grid. Each pad has its own output in a VST3 host, beside the main mix.
The map: every sound, grouped by what it sounds like
Put modules in a rack and patch them with cables: any output into any input, every control input with its own attenuverter. Start from an empty rack with audio and MIDI in, and build the instrument as you go.
Play a reed or tine electric piano built from a model of how the real ones make their sound, so it bites when you dig in and goes soft when you don't. An organ and a string ensemble join them, early versions still in progress.
An eight-voice synth of two complex oscillators, each bending a carrier with through-zero FM and folding it, then shaping it with low-pass gates that close darker as they close quieter. A map shows where each tone starts and where it settles; four macros, the wheel and pressure move it. A standalone app and a VST3 instrument.
The synth page: tone map, gates, filter and voices
Pick a mood and a key, and Evolver writes three parts that develop as they play. Steer them as they go, and send each part to Mono, Poly or a synth in your DAW.